Faith under fire: The enduring legacy of Jacob Hochstetler’s pacifism
A tragic 1757 frontier attack became a defining story of Amish and Mennonite faith — now preserved in a mural honoring courage, conviction and forgiveness
The story behind the Jacob Hochstetler Family Attack in the mid-1700s remains a stoic and beautiful tale of holding true to one's faith.Submitted
Many moments in the Anabaptist history have been forever
remembered in art.
Perhaps the most famous is the portrayal of Dirk Willems,
a Dutch Anabaptist martyr most famous for
escaping from prison but then in an act of total compassion giving up his own
life by turning back to rescue his pursuer who had fallen through thin ice
in the pursuit.
There are countless stories like that in the book
“Martyr’s Mirror,” but the recently purchased mural depicting the Jacob
Hochstetler Family Attack ranks among the most defining stories of living a
pacifist life, even in the face of hardship and death to the Hochstetler
family.
The Jacob
Hochstetler Family Attack was a tragic and well-documented
event in early American frontier history, particularly remembered among Amish
and Mennonite communities. It occurred during the French and Indian War
(1754-63), when tensions and violence between European settlers and Native
American groups were widespread in Pennsylvania.
Paul Miller, former director at the Amish & Mennonite
Heritage Center and member of the Hochstetler lineage, has done extensive
studies on the family and the history surrounding the event. He said this
painting serves as a testament to Jacob and his family’s faith.
“As the story goes, the last thing Jacob told his two
sons before they were separated into captivity was never take another life and
don’t ever forget the Lord’s Prayer,” Miller said. “That is a very strong
encouragement for trying to make faith meaningful.”
Jacob Hochstetler was a Swiss German Anabaptist immigrant who
settled with his family in Berks County, Pennsylvania near
present-day Shartlesville around 1739.
While minor details depicting the attack on the Jacob Hochstetler family can be quibbled over, the stories passed down through generations back up the authenticity of the mural depicting the attack.Submitted
Like
many Amish and Mennonites, Hochstetler was a pacifist,
committed to nonviolence and living peacefully with all neighbors, a trait that
would play a critical role in his family during the attack.
On the night of
Sept. 19, 1757, during the French and Indian War, a band of Native Americans, believed
to be from a group of Delaware Indians who had allied with the French, attacked
the Hochstetler homestead.
A peaceful
night turned to terror — the family awakened by barking dogs and gunfire. Jacob
and his sons Joseph and Christian had muskets, and while the boys were eager to
defend the family and homestead, Jacob’s commitment to peace won out and he
refused to allow any attempts at killing another human being, consistent with
their nonresistant faith.
As the family hid
in the cellar, the attackers burned the house, killing Jacob’s wife Anna and
two of their children. Jacob, Joseph and Christian were taken captive and
forced to travel with their captors.
Over time the
captives were separated and lived among different Native communities for
several years, and while Jacob grew to know and understand his Native captors,
he eventually escaped and returned home around 1763, after peace was restored.
His sons Joseph
and Christian were later released through negotiations and returned, although
it is said Joseph desired to remain with his Native family.
The Hochstetler
attack became a well-known and powerful story of faith, nonresistance and
forgiveness among Amish and Mennonite descendants, and Jacob’s refusal to fight
back, even to protect his family, is often cited as a model of steadfast
Anabaptist conviction.
“The painting is
a reminder of the values that shaped our Anabaptist forefathers, even to the
point of death,” Miller said.
He said this is simply one story of faith and hardship during this time, and other
families have their own stories to share, but few have been recorded in such a dramatic
way as this mural.
“What makes this such
a unique story is how the three of them were taken into captivity and lived to
be released,” Miller said. “That and the story of their faith provide real
insight into how strong their beliefs were.”
Miller said the family will continue to try to explore more about the painting, and one
goal is to identify the unknown artist.
Until then the mural
will serve as a historical portrayal of one family’s past and the faith they continue to embrace.
Many modern
Amish, Mennonite and Brethren families trace their ancestry to Jacob
Hochstetler’s surviving children, and the Hochstetler family continues to meet
every five years at various locations in the Midwest.